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Typical story lines have Tora-san, a suitcase carrying, leisure-suit wearing, traveling salesman visiting different parts of Japan, where he meets a beautiful young woman, is smitten, and tells her if she ever needs help, she should come visit him in his hometown.
After returning home to his family, which disapproves of his wandering lifestyle, the damsel in distress shows up, and Tora-san falls in love.
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Yasujro Ozu In the late twenties and early thirties, Yasujiro Ozu was working steadily for Shochiku studios, honing his craft on dozens of silent films in various genres, from romantic melodramas to college comedies to gangster pictures and, of course, movies about families.
In these three droll domestic films Tokyo Chorus, I Am Born But.
It is through the eyes of precocious go here outspoken nine-year-old Marjane that we see a people's hopes dashed as fundamentalists take power — forcing the veil on women and imprisoning thousands.
Clever and fearless, she outsmarts the "social guardians" and discovers punk, ABBA and Iron Maiden.
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Though it means putting on the veil and living in a tyrannical society, Marjane decides to return to Iran to be close to her family.
After a difficult period of adjustment, she enters art school and marries, all the while continuing to speak out against the hypocrisy she witnesses.
At age 24, she realizes that while she is deeply Iranian, she cannot live in Iran.
She then makes the heartbreaking decision to leave her homeland for France, optimistic about her future, shaped indelibly by her past.
Eran Kolirin This heartwarming and poignant winner of the Cannes Film Festival Un Certain Regard prize is the mesmerizing and witty story of strangers in a strange land.
A fading Egyptian police band arrives in Israel to play at the Arab Cultural Center.
When they take the wrong bus, the band members find themselves in a desolate Israeli village.
With no other option than to spend the night with the local townspeople, the two distinctly different cultures realize the universal bonds of love, music and life.
Set against a breathtaking desert landscape, this cross-cultural comedy proves that getting lost is sometimes the best way to find yourself.
Following his rise to prominence at Shochiku, Oshima struck out to form his own production company, Sozo-sha, in the early sixties.
That move ushered in the prolific period of his career that gave birth to the five films collected here.
Pleasures of the Flesh Nagisa Oshima, 1965 A corrupt businessman blackmails see more lovelorn reprobate Atsushi into watching over his suitcase full of embezzled cash while he serves a jail sentence.
Rather than wait for the man to retrieve his money, however, Atsushi decides to spend it all in one libidinous rush.
Violence at Noon Nagisa Oshima, 1966 Containing more than two thousand cuts and a wealth of inventive widescreen compositions, this coolly fragmented ハードロックカフェカジノスーシティアイオワ study is a mesmerizing investigation of criminality and social decay.
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Based on interviews with more than 500 people about the one memory they would choose to take with them to heaven, Japanese director Hirokazu Kore-Eda has modeled a unique blend of documentary and fiction that addresses the vagaries of memory but also what it means to make films.
After Life transpires in a sort of way station where the dead must select one memory to be re-created on film and taken on with them forever, relinquishing everything else.
Over the span of a week, a dedicated group of caseworkers tease out self-deceptions as well as real epiphanies from 22 different ラスベガスのカジノの女の子 />An old woman remembers reuniting with her husband on a crowded bridge after World War II; a man recollects the breeze felt on a tram ride the day before summer vacation; a successful man faces his own treachery.
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These captivating films are a glorious introduction to a peerless career.
The Most Beautiful Ichiban utsukushiku : This portrait of female volunteer workers at an optics plant during World War II, shot on location at the Nippon Kogaku factory, was created with a patriotic agenda.
This month, we present five wonderful works of art by Japanese master filmmaker Yasujiro Ozu.
Made directly after Tokyo Story, widely considered his most perfect film and one of the greatest movies ever made, these titles show Ozu at the top of the game, visually and narratively.
Elegant, humorous, rich with joy and sadness, these films further demonstrate why Ozu has become synonymous with the word cinema.
Five-Disc Set Includes: Early Spring: A married salaryman in postwar Tokyo enters into an affair with an office mate in this moving portrait of a fragile marriage.
Tokyo Twilight: In the dead of winter, past and present traumas afflict two sisters and their aging father in this, one of ハードロックカフェカジノスーシティアイオワ most heartbreaking and powerful works.
Equinox Flower: In Ozu's splendid first color film, a stubborn businessman who disapproves of his daughter's fiance must learn to embrace modern romance.
Late Autumn: Ozu regular Setsuko Hara, once the marrying child in Late Spring, becomes the parent in this poignant tale of the bonds between mother and daughter.
The End of Summer: Ozu's second-to-last film beautifully ハードロックカフェカジノスーシティアイオワ comedy and tragedy to tell the story of three sisters who are stunned to discover that their aging father has taken up with his former mistress.
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I Shot Jesse James Fuller's directorial debut is a psychological western, excavating, with pathos and humor, the tale of Robert Ford, the member of Jesse James's gang who shot the famed outlaw in the back.
The Baron of Arizona A b億万長者のゲームを望んでいる人をダウンロード 2 witty Vincent Price plays a nineteenth-century con man who sets out to commit the most epic swindle in U.
The Steel Helmet With its low budget and high ambitions, Fuller's snarling Korean War film, an examination of race relations as well as a visceral plunge into battle, remains one of the director's most discussed and admired works.
Amid Japan s economic collapse, moral waywardness, and American occupation, Kurosawa managed to find humor and redemption existing alongside despair and anxiety.
In these five films, which range from the whimsically Capraesque to the icily Dostoyevskian, from political epics to courtroom potboilers, Kurosawa established both the artistic range and social acuity that would inform his entire career.
No matter how you define it, Ridley Scott's 1991 box-office hit pinched a nerve and made the cover of national news magazines for tweaking gender politics like no movie before or since.
Callie Khouri's screenplay overhauls the buddy formula with its story about two best friends Susan Sarandon and Geena Davis who embark on a liberating adventure that turns into an interstate police chase after a traumatic incident makes both women into fugitives; they are en route to a destiny they could never have imagined.
These adaptations of the world-famous animated film characters feature a cleaver story line combined with ingenious humor and brilliant characterization.
The setting is a comic-book vision of 1930s London: part art deco, part Third Reich, part industrial-age rust and rot.
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Richard III is a fun film, more than anything, so infatuated with its own monstrous stitchery that even the most awkward casting Annette Bening and Robert Downey Jr seems a part of the ridiculous design.
McKellen is the best thing about the movie, his mesmerising portrayal of freakish despotism and poisoned desire a thing to behold.
Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his article source He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection.
With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister Hugh Grant who's smitten with his caterer; a widower Liam Neeson whose young son nurses the ultimate schoolboy crush; a writer Colin Firth who falls for his Portuguese housekeeper; a devoted wife and ジェニングスエルドラドスターチーフスロットマシン Emma Thompson coping with her potentially ハードロックカフェカジノスーシティアイオワ husband Alan Rickman ; and a lovelorn American Laura Linney who's desperately attracted to click at this page colleague.
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